Writer / director / editor

Craig Trow is a skilled editor and digital imaging technician (DIT) with a strong foundation in visual storytelling and performance. With over a decade of experience in post-production and on-set media management, Craig brings a unique blend of creative insight and technical precision to every project.
As an editor, Craig has cut dozens of actor demo reels, short films, branded content, and narrative pieces—consistently praised for his efficiency, story instincts, and ability to elevate performances. His collaborative, detail-oriented approach allows him to craft emotionally engaging edits with minimal direction, often working directly with actors, directors, and producers to shape final cuts that resonate.

In his work as a DIT, Craig ensures seamless on-set media workflows—managing data integrity, color consistency, and file organization from camera to post. His technical fluency includes Avid, Premiere Pro, Final Cut Pro, DaVinci Resolve, After Effects, and the full Adobe Creative Suite, along with experience handling a variety of camera full trackload formats and LUTs.

Craig’s background as a trained actor informs his editorial decisions, giving him a nuanced understanding of timing, rhythm, and emotional beats. Whether syncing dailies on set or cutting a scene in the edit bay, Craig combines artistic sensibility with rock-solid reliability.
Craig Trow is a trailer and film/television pitch editor specializing in high-impact, story-driven sizzles designed to move projects forward.
His work centers on performance, pacing, and emotional architecture — shaping raw footage into clear, compelling narrative builds that communicate tone instantly and sustain momentum through the final frame.
Craig approaches every piece with one objective: make the audience lean in.
With over a decade in post-production and on-set experience, he understands how material evolves from production through final delivery. That perspective allows him to cut decisively, solve structural problems quickly, and elevate performances with minimal direction.
His background as a trained actor informs his editorial instincts — giving him a nuanced sense of rhythm, tension, and emotional payoff. Whether building a two-minute pitch or a three-act trailer structure, he focuses on clarity, escalation, and impact.
Available for remote and on-location productions.
Working with Craig has been an absolute treat. Not only is he professional, timely, and incredibly good at what he does, he is also patient and understanding. We started with about 12 clients who needed demo reels cut (an individual demo for each project for every client). We then realized we needed to add a few more into the mix, make changes once edits were already done, go back and rearrange clips, etc. Craig did it all with a great attitude and quick turn around. He has a great sense of what clips to pull that best showcase each client for these reels. With little to no guidance needed, Craig was able to create about 40-50 ready to use reels for us. We really appreciate his hard work and would definitely use him again!
Dominque GrundManager
Dominque Grund
Craig has an eye for highlighting talent with both powerful imagery and creative edits. Extremely collaborative and efficient. Dependable making the entire process painless.
Patrick KeaneManager
Patrick Keane
Craig’s work is impactful and able to drive a powerful story within the constraints of a reel. He has the uncanny ability to showcase the multifaceted aspects that spans a sometimes of a career that sometimes spans decades into a few minutes. He has a gracious disposition when working and collaborating with the talent or to even drive the session independently to fruition.
Susan FerrisAgent
Susan Ferris
I have been working with Craig for over 10 years and he always and consistently delivers the best quality reels and video editing services for my clients. He is very easy to work with and his turnaround time on getting work back is very impressive. Craig is a magician in being able to pull footage domestically and internationally as well. He is also very well priced for the quality of work he always brings to each job. Craig has great instincts when it comes to the order and flow of putting reels together and cutting scenes to put the emphasis on the actor. He is also very collaborative in working with reps and talent to get the reel(s) done how you want and envision them to be. Every new client that I have introduced to Craig has continued to use his services for anything reel related that they need. I fully recommend him to any agents, managers and talent that are looking to get their footage pulled and reel(s) put together.
Aaron SacksAgent
Aaron Sacks
I have been working with Craig for over 10 years and he always and consistently delivers the best quality reels and video editing services for my clients. He is very easy to work with and his turnaround time on getting work back is very impressive. Craig is a magician in being able to pull footage domestically and internationally as well. He is also very well priced for the quality of work he always brings to each job. Craig has great instincts when it comes to the order and flow of putting reels together and cutting scenes to put the emphasis on the actor. He is also very collaborative in working with reps and talent to get the reel(s) done how you want and envision them to be. Every new client that I have introduced to Craig has continued to use his services for anything reel related that they need. I fully recommend him to any agents, managers and talent that are looking to get their footage pulled and reel(s) put together.
Aaron SacksAgent
Aaron Sacks
The Manager Position is a charming short that has that something special about it. An entertaining and simultaneously haunting experience. A potent and well-crafted short with a great central performance.
5 out of 5
ukfilmreview.co.uk/reviews/the-manager-position
The Manager Position is a film of genuine quality. Trow’s direction is sharp and he doesn’t waste any shot. His screenplay, despite focusing on a story we have seen before, still manages to make some new points. The Manager Position is a fine film deserving of favorable comparison to the works of Jason Reitman and Alexander Payne
4.5 out of 5screencritix.com/the-manager-position-2022-short-film-review/
The Manager Position hits the emotions and comedy perfectly for anyone who’s ever been laid off.
8.5 out of 10filmthreat.com/reviews/the-manager-position/
“With a film like this, Craig Trow should be someone we will be getting to see more of in the future”
5 out of 5take2indiereview.net/2022/07/the-manager-position/
The Manager Position is a great example of an independent, micro-budget film done well. The cheery parts of Trow's title managed to put a smile on my face, while the underbelly, the darker tones, made The Manager Position much more relevant than I initially expected. Overall an excellent short film.
4 out of 5scripttoindie.com/themanagerposition.html
It was witty, a tad humorous, and even a little sad and depressing - without a doubt, "The Manager Position" has its charms. A great short film. Period.
4.5 out of 5indyred.com/themanagerpositionreview.html
The Manager Position offers up a rather fantastic journey, grounded in deep empathy for the human experiences but also filled with elements of fantasy and brings it all beautifully to life.
 A-theindependentcritic.com/the_manager_position
The Manager Position is entertainment done right. Wow! I highly recommend.
4.5 out of 522indiestreet.com/the-manager-position.html
The Sins Beneath is undeniably effective in its delivery. It proves that you don’t need a blockbuster budget to craft an evocative, intelligent horror film — just vision, patience, and a willingness to dig into the darkness.
4.5 out of 5https://screencritix.com/9465-cxxblk/
Paderewski mixes and matches his influences, borrowing from modern classics and slow-burn arthouse films alike to craft a feature that sits comfortably between psychological and all-out terror.
4.5 out of 5https://take2indiereview.net/2025/08/the-sins-beneath/

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